This March, two years after starting Éclaircissage, the hours of study and tasting over said period were validated when a letter came in the mail stating that I had successfully passed all the exams required for the WSET Diploma. The journey has had its share of ups and downs, the high point being invited to judge at the Decanter Asia Wine Awards last September.
For current and future Diploma candidates, this post serves to provide some insight into what is required to pass the exams. The tips contained may not be effective for everyone, and doubtless most will find their own path to navigating the Diploma requirements. Those who are fortunate enough to be taking the Diploma in a wine producing country, or one that has a thriving wine scene will benefit from natural advantages.
The Diploma consists of six modules as listed below:
• Unit 1 – The Global Business of Alcoholic Beverages
• Unit 2 – Wine Production
• Unit 3 – Light Wines of the World
• Unit 4 – Spirits of the World
• Unit 5 – Sparkling Wines of the World
• Unit 6 – Fortified (Liqueur) Wines of the World
Units 1 and 2 are pure theory based examinations which do not include any tasting component. The units do not need to be taken sequentially, and for most students Unit 2 will be the first paper, consisting of 100 multiple choice questions. This is the easiest paper, and may trick some candidates into thinking that the Diploma is a breeze, which it is most assuredly not. Unit 1 consists of a research assignment and a closed book case study. Many candidates struggle with this unit, but for those who put in the necessary hours of research it should not be too difficult, even for those not working in the wine trade. The remaining units comprise of essay-based theory exams and practical tastings. For Units 4, 5 and 6, it is possible to pass the unit if the aggregate mark of the theory and tasting papers is a pass. For Unit 3, the candidate must pass both theory and tasting papers separately.
The theory and practical examinations require distinctly different skills. The strategies to pass both are listed below.
Theory Examinations
TIP 1: DO NOT UNDERESTIMATE THE EFFORT REQUIRED
The Diploma specification suggests a minimum of ten hours of study per week. This is not an exaggeration; it really does demand a continued, persistent effort to memorise all the facts and numbers that you will be called upon to regurgitate in a very limited span of time.
TIP 2: THE LIBRARY IS YOUR FRIEND
The National Library of Singapore has a top-notch collection of electronic resources and wine books. Although the Oxford Companion to Wine will be sufficient to pass the theory papers for Units 3, 5 and 6, Unit 1 will require substantial research and an extensive list of references. For Units 2 and 4, the relevant texts will be supplied in the study pack that is sent to you at the beginning of the Diploma.
TIP 3: A SUBSCRIPTION TO JANCIS ROBINSON'S PURPLE PAGES SAVES WEARY ARMS
If you travel extensively (as most wine people are wont to do), the ability to access the Oxford Companion to Wine online via a subscription to Jancis Robinson’s Purple Pages is a boon compared to carrying the 3 kg book around. Combine this with Sean Welch’s online links to the relevant entries in each unit (available at http://www.drunk.com/wset-diploma/) and you will be able to sneak in study time whenever you are free by using your mobile device. The articles on jancisrobinson.com are also mighty useful in keeping up to date with happenings in the wine world.
TIP 4: DO READ THE EXAMINERS’ REPORT
While the pass rates can make for pretty grim reading, it gives candidates an idea of what examiners are expecting, as well as the format of the theory questions. Under exam pressure, the most basic of mistakes can be made, including answering more questions than necessary, or failing to grasp key points in the question. I myself fell prey to this when I misread the compulsory question for Unit 3 and as a result wasted fifteen precious minutes redrafting my answer.
Practical Examinations
TIP 1: FORMING A NETWORK IS CRUCIAL
It may be possible to taste all the wines required for the Diploma by oneself, but apart the substantial cost, I am almost certain that drinking several bottles of wine at one go would be detrimental to one’s well-being. A pleasant circumstance of pursuing the Diploma was the many acquaintances I have made both within and without the wine industry, people who have freely shared their opinion of wine and who have helped calibrate my palate.
TIP 2: DON’T JUMP TO CONCLUSIONS
It is incredibly tempting, during the tasting examinations, to form a conclusion as to what the wine is immediately and to force the tasting note to reflect the characteristics of the assumed wine. As difficult as it is, a candidate should not attempt to even think about what the wine is until the rest of the tasting note has been written. Relatively little marks are given for correctly guessing the grape variety and region, as compared to the other characteristics of the wine. An important section is the evaluative part of the paper, where candidates may be asked to either judge the quality of a wine, or the potential for further aging. Although these are the two most common questions, candidates may also be asked to explain the production method or climatic influences. It is not enough to simply provide a one-line answer, the rationale must be clearly argued.
TIP 3: KEEP YOUR SPIRITS UP
Although spirits is covered briefly in the Advanced Certificate, in the Diploma much more attention is given to this topic, and a candidate cannot obtain the Diploma without completing this unit. Surprisingly, I found Unit 4 to be less challenging than the others, one of the reasons being that the different types of spirits are fairly easy to tell apart. Even within the same category, e.g. whisky, the notes of a bourbon are very distinct from an Islay whisky. Those minibar sized bottles that are easily available from liquor stores were extremely helpful. Spirits do not oxidise as fast as wines, so you can taste over the course of several days to get the flavour characteristics firmly imprinted in your palate memory. It is worth noting that the lexicon for describing spirits differs somewhat from that of wines, and the unit requires that a candidate taste a wide range of spirits to be familiar with the many categories.
TIP 4: ADHERE TO THE WSET SYSTEMATIC APPROACH
Putting aside the kind of tasting notes that are published in wine magazines, the WSET Systematic Approach to Tasting Wine is unbending when it comes to the terminology used in exams. For example, straw is not an accepted colour for appearance in white wines even though some would equate it with lemon. Tawny and amber are descriptions for red and white wines respectively, using one in place of the other would gain nil points. Points are also assigned to the various characteristics of a wine; if a candidate fails to list one attribute, that mark cannot be regained elsewhere. So even if a candidate has a complete and descriptive list of aromas, if the candidate has not described the intensity of those aromas a perfect score would not be possible. The examiners’ report has extensive examples of what differentiates a poor tasting note from a good one.
The WSET Diploma is probably one of the most challenging qualifications one can attempt, but it is truly an enjoyable and rewarding achievement. To view it as purely a paper qualification is to miss the point, it offers fantastic opportunities to meet people and an introduction into an exciting and dynamic industry. All the best to those who chose to take up the gauntlet!
Éclaircissage
Chek Wong is a WSET Diploma student and Certified Specialist of Wine
Saturday, 27 April 2013
Sunday, 31 March 2013
Château Haut Brion goes masstige with Clarendelle
What is there left to do when
your wine is already acknowledged as the best in the world, with a reputation
so steeped in history that it was already being praised in the mid-17th
century? For Prince Robert of Luxembourg, owner of Bordeaux First Growth Château
Haut-Brion, the answer was to create the masstige brand Clarendelle, a range of
wines positioned as being super-premium
while at the same time affordable enough for the masses.
The name Clarendelle pays homage
to Prince Robert’s great grandfather Clarence Dillon, an American financier who
purchased Château Haut-Brion in 1935. Although both brands share the same
winemaking team and blend of grape varieties, Clarendelle is a generic Bordeaux
blend while Château Haut-Brion is entitled to the superior appellation of Pessac-Léognan.
In other words, Clarendelle is the result of wine bought from producers around
Bordeaux and blended together.
Joan Mourgues, Export Manager at
Clarence Dillon Wines, is quick to point out that Clarendelle should not be
compared against other mass-market brands looking to bask in the reflected
glory of a superior label (could this be a poke at Mouton Cadet?). “The fact
that our 2010 vintage obtained a score of 90 from wine guru Robert Parker shows
the level of positioning we want to achieve.”
There are other motives as well.
By introducing a generic Bordeaux label, Clarendelle is able to drain
off some of the excess production in the region and in the process provide producers
with the capital necessary to modernise and improve quality. According to Joan,
the company pays producers a higher price for their wine than the market rate. A
common problem in Bordeaux is that while the grand crus have no problem selling
their wines, producers lower down the food chain suffer from a lack of distribution
channels and branding.
![]() |
| Photo courtesy of Domaine Clarence Dillon |
The Clarendelle range consists of
Clarendelle Rouge, Clarendelle Blanc, Clarendelle Rosé and Amberwine, the last
being a sweet wine. The Clarendelle Rouge, Clarendelle Blanc and Amberwine were
poured at a trade dinner held at the Flutes at the Fort Restaurant. Guests were
also treated to the Bahans Haut Brion 2005, which is the second wine of Château
Haut-Brion (renamed to Le Clarence de Haut-Brion starting from the 2007
vintage).
It was perhaps difficult to judge
the merits of the Clarendelle Rouge on its own, being served afterwards by the
far superior Bahans Haut Brion, but the standout wine that evening was the
Clarendelle Amberwine 2003, a toothsome mix of candied pineapple, honey and
quince paste. Paired with a white chocolate cannelloni, the wine highlighted
the smooth creamy flavours of the chocolate while not losing any of its own
character.
As an interesting titbit, the
company’s foray into social media has revealed some insight about the audience for
their wines. While Japan is still their largest market, Turkey and Indonesia
contribute the most Facebook “likes” for Clarendelle. An indication of where
valuable marketing dollars may next be spent perhaps?
Clarendelle is distributed by
Crystal Wines Pte Ltd.
Labels:
Clarendelle
Friday, 29 March 2013
Navigating Savour 2013
Savour, the food and wine festival voted as one of the world's best by CNN,
is back for a second round. Having visited Taste of London, I have high
hopes for this event, which I will be attending for the first time.
From what I heard, the first iteration was marred by some dishes that
did not live up to the hype. Hopefully the organisers would have pushed
down the average price for a dish to saner levels, although I have a
feeling that wishing for everyone to start carrying their own grocery
bags would have the same effect.
Speaking of pricing, it looks like the latest trend in Singapore is to obfuscate the simple process of buying a ticket such that it resembles an evil Sudoku puzzle. Savour has ticket options which vary based on which section of the festival you want to visit, and when you want to go. Below is a table which summarises the various options.
Fingers crossed for favourable weather. See you there!
Speaking of pricing, it looks like the latest trend in Singapore is to obfuscate the simple process of buying a ticket such that it resembles an evil Sudoku puzzle. Savour has ticket options which vary based on which section of the festival you want to visit, and when you want to go. Below is a table which summarises the various options.
Savour Premier Pass
|
Savour Pass
|
|
Ticket price
|
$65 ($55 for lunch session)
|
$35
|
Savour dollars included
|
$30 ($20 for lunch session)
|
$20
|
What’s included
|
Access to Gourmet Village, Gourmet Auditorium and Gourmet Market
|
Access to Gourmet Market only
|
Validity
|
Either lunch (11am-4pm) or dinner (5pm-11pm) session on one day. Lunch
session is only available on Saturday and Sunday.
|
Valid for one day. Gourmet Market is open from 11am-11pm except for
Thursday when it is open from 5pm-11pm.
|
Notes
|
·
Savour 2013 will be held from 11-14 April at
the F1 Pit Building and Paddock, 1 Republic Boulevard.
·
Kids under 6 get in free.
·
Savour Dollars are used to purchase items (you
can buy more Savour dollars at the event).
·
Complimentary access to all workshops,
masterclasses and tastings with purchase of either pass.
|
|
Note that these prices are valid only
if you purchase via Sistic and excludes the booking fee. Tickets are
more expensive by $5-$10 if you purchase at the festival itself.
This being a wine blog, I am naturally more interested in the wine talks that will be featured during the festival. Below is a summary if you want to plan your time around these talks (info extracted from the Savour website). The talks will be held at the Wine Theatre within the Gourmet Market.
This being a wine blog, I am naturally more interested in the wine talks that will be featured during the festival. Below is a summary if you want to plan your time around these talks (info extracted from the Savour website). The talks will be held at the Wine Theatre within the Gourmet Market.
Thursday 11th April
TIMING
|
CLASS / TOPIC
|
1730 - 1815
|
Blend Your Own Wine
Equatorial Wines' Mike Back,
director and former winemaker takes us through what wine making is all about.
He'll even walk you through blending your very own cuvee! Try your hand at
putting various varietals together (you may stumble on a second career!)
|
1900 - 1945
|
Riedel Glass Masterclass
Yes, the glass makes a
difference. Don't believe it? Taste for yourself at this eye opening (or
should we say palate opening) workshop!
|
2200 - 2245
|
Wine & Cheese Pairing
It's a match made in heaven!
Learn more about how to pair these two divine products - you may be converted
to give up dessert for a cheese platter!
|
Friday 12th April
TIMING
|
CLASS / TOPIC
|
1330 - 1415
|
A Taste of Germany
Get your German wine fix here.
Join presenters from Magma as they bring you through a wine tasting session
and get introduced into the world of German wines, grape varieties, and vine
regions.
|
1630 - 1715
|
A Scottish Whisky Tour
Get a tour of Scotland's whisky
producing regions, offering a chance to discover the typical aromas and
flavour found within each of Scotland's diverse whisky regions presented by
Spirit of Scotland.
|
1800 - 1845
|
Riedel Glass Masterclass
Yes, the glass makes a
difference. Don't believe it? Taste for yourself at this eye opening (or
should we say palate opening) workshop!
|
2100 - 2145
|
Wine & Cheese Pairing
It's a match made in heaven!
Learn more about how to pair these two divine products - you may be converted
to give up dessert for a cheese platter!
|
Saturday 13th April
TIMING
|
CLASS / TOPIC
|
1630 - 1715
|
A Taste of Germany
Get your German wine fix here.
Join presenters from Magma as they bring you through a wine tasting session
and get introduced into the world of German wines, grape varieties, and vine
regions.
|
1800 - 1845
|
Sparkling Wine of Italy
Italy has become quite famous
for its fine Proseccos. Sandro Giorgi takes us through the wonderful bubbles
of Italy - a tasty way to spend your time!
|
2100 - 2145
|
A Scottish Whisky Tour
Get a tour of Scotland's whisky
producing regions, offering a chance to discover the typical aromas and
flavour found within each of Scotland's diverse whisky regions presented by
Spirit of Scotland.
|
Sunday14th April
TIMING
|
CLASS / TOPIC
|
1200 - 1245
|
Sparkling Wine of Italy
Italy has become quite famous
for its fine Proseccos. Sandro Giorgi takes us through the wonderful bubbles
of Italy - a tasty way to spend your time!
|
1500 - 1545
|
Blend Your Own Wine
Equatorial Wines' Mike Back,
director and former winemaker takes us through what wine making is all about.
He'll even walk you through blending your very own cuvee! Try your hand at
putting various varietals together (you may stumble on a second career!)
|
1630 - 1715
|
A Guide to Food & Wine
Pairing
You might not know it but there
is a general how-to guide to pairing your food with wine. Vincent, sommelier
and wine guru at Absinthe shares his tips and tricks to making the perfect
match.
|
1800 - 1845
|
A Taste of Germany
Get your German wine fix here.
Join presenters from Magma as they bring you through a wine tasting session
and get introduced into the world of German wines, grape varieties, and vine
regions.
|
2100 - 2145
|
Samaroli Whisky Tasting
Excellence and uniqueness,
these are the words enthusiasts currently use to describe Single Cask Single
Malt whiskies at Samaroli tasting sessions. Taste the passion in these
artfully crafted whiskies plus a special tasting of an aged Rum from
Scotland!
|
Fingers crossed for favourable weather. See you there!
Labels:
Savour 2013
Saturday, 23 March 2013
Charting the Course for Cool Climate Wines
If you want to make great wines, you have to be cool. Cool-climate, that is. That was the premise behind the Cool Climate Wine Seminar held in early March at the Taberna Wine Academy. The discussion was facilitated by a panel with serious wine credentials, among them Masters of Wine Annette Scarfe and Andreas Wickhoff, author and German wine expert Joel Payne, and local wine educator Tan Ying Hsien.
While scientists and politicians continue to debate the existence of climate change in their ivory towers, those whose livelihoods depend on cooperative weather have no doubts. Tasmania, a region with the distinction of having the coolest climate in Australia, suffered a series of heatwaves in January, reaching record temperatures of 41°C while in the northern hemisphere, widespread frost in Austria last year reduced the crop by 40%. “Temperatures are not moving only in the warmer direction,” said Andreas. “The extremities are also increasing, and that means colder winters, and drought issues. Younger wines are challenged, that’s a fact.”
Why the fuss about cool climate wines? Ying Hsien expounds, “Quality wines come from quality grapes, and the best quality grapes need a certain amount of time to grow, ripen and concentrate their phenolic elements. A cool climate helps to a large extent in terms of the growing process.” Additionally, a cool climate helps to preserve acidity and freshness in the wines. This was exemplified in the first flight of wines tasted, a selection of whites from Germany and Austria. “There is a real purity of fruit and a taut minerality here,” remarked Annette. “This is showing the grape at its best with a real expression of individual variety.”
Not all grapes are suited for cool climates. Late maturing varieties such as Cabernet Sauvignon and Grenache would lack colour and have unattractive stalky notes if planted in cool areas. The seminar focused on early ripening varieties such as Riesling and Pinot Noir, along with lesser-known red Austrian varieties such as Zweigelt and St. Laurent. Also showing promise was Gruner Veltliner, a high quality white grape that is Austria’s claim to fame. Paired against a top Chardonnay from Burgundy, the panel found that the GV showed better, a result that has been duplicated at other blind tastings. Andreas commented that “Gruner Veltliner is a variety with great diversity. It is one of the few grape varieties that can handle artichoke for example. Try artichoke with Chardonnay or Riesling, and it will most likely clash.”
The seminar covered three cool-climate wine regions located in the Old World; Austria, Germany and Burgundy, although the panel noted that the New World had its share of cool-climate regions as well such as Central Otago, Tasmania and Patagonia. With their common history, Austria and Germany share many wine terms, including a classification system based on must weights. This system has its roots in the not-unfounded belief that only the best sites could ripen grapes sufficiently given the cool climate of both countries. Climate change however has turned this notion on its head. “In Germany, sometimes we can harvest an Auslese (grapes that are extremely ripe) now in September when we could only harvest a Kabinett (grapes at normal ripeness) in November fifty years ago,” said Joel. Austria and Germany are now moving back to appellation-based systems; the former via the DAC system and the latter via the VDP four-tier classification.
During a highly anticipated blind tasting session, Pinot Noir wines from Burgundy were pitted against their counterparts from Germany. In an interesting twist, two vintages were included, the young 2009 and a more mature 2002. The 2002 Negociant Leroy Gevrey Chambertin was easy to pick out due to its tertiary notes, but it was a challenge identifying the other three wines. When the wines were revealed, it was a German Pinot Noir which had been voted the best by the audience. “Something that most people tend not to know is that after France, Germany and the United States have about the same amount of Pinot Noir planted. In the case of Germany, it is more than Australia and New Zealand combined,” commented Joel.
The seminar lasted for seven hours, far longer than the normal duration for wine seminars. Yet despite the intense discussions and quantity of wines tasted, I was far from exhausted at the end of it. Annette gave another insight into the benefit of cool-climate wines – that they tend to be lower in alcohol. “We would never have been able to do a full day seminar if it involved heavy, alcoholic wines; everyone would have fallen asleep!”
Complete list of wines:
![]() |
| Photo courtesy of Wein & Vin |
Flight 1
Dönnhoff Riesling trocken 2011
Loimer Riesling Kamptal DAC 2011
Loimer Grüner Veltliner Kamptal DAC 2011
Flight 2
Loimer Spiegel Grüner Veltliner Erste Lage Kamptal DAC Reserve 2010
Henri Boillot Puligny Montrachet Les Pucelles Premier Cru 2010
Flight 3 (tasted blind)
Loimer Spiegel Grüner Veltliner 2002
Negociant Leroy Meursault Blagny Premier Cru 2002
Loimer Seeberg Riesling 2008
Dönnhoff Hermannshöhle Riesling GG 2008
Flight 4
Heinrich Zwiegelt 2010
Heinrich Blaufränkisch 2010
Heinrich St. Laurent 2010
Heinrich Leithaberg Blaufränkisch 2010
Heinrich Alter Berg Blaufränkisch 2009
Flight 5
Heinrich Pannobile 2009
Heinrich Gabarinza 2009
Heinrich Gabarinza 1999
Flight 6
Loimer Terrassen Pinot Noir 2010
Heinrich Pinot Noir 2009
Huber Malterdinger Pinot Noir 2009
Henri Gouges Nuits-Saint-Georges Village 2009
Flight 7 (tasted blind)
Huber Alte Reben Spätburgunder 2002
Negociant Leroy Gevrey Chambertin Premier Cru 2002
Huber Schlossberg Grosses Gewächs Spätburgunder 2009
Armand Rousseau Charmes Chambertin Grand Cru 2009
My top picks and tasting notes:
![]() |
| Photo courtesy of Wein & Vin |
Dönnhoff Riesling trocken 2011 – Dönnhoff is one of the most famous estates in Germany and one of only ten that received a five star rating in Joel Payne’s German Wine Guide. Gossamer purity and steely acidity with a core of green fruit and lime. The term “moreish” is usually applied to food but could well be used here. And this is their entry level wine!
Loimer Spiegel Grüner Veltliner 2002 – Winemaker Fred Loimer has been practicing biodynamics since 2005 and espouses a minimal intervention approach to winemaking. This wine exhibits the heights that Grüner Veltliner can achieve with age. A nutty nose with smoky elements, overlaying green pea and fruit salad. Slightly oily on the palate with balanced acidity. Shows intriguing complexity.
Huber Alte Reben Spätburgunder 2002 – Weingut Huber is located in Malterdingen, an area with a long tradition of making wines from Pinot Noir. The same Cistercian monks who brought Pinot Noir to Burgundy also brought the vine to Malterdingen, finding that the area had similar soils to that of the Cote d’Or. This wine, made from vines ranging from 20 to 40 years old, exhibits seductive nuances of raspberry and red fruit with hints of underbrush and soya sauce. Firmly structured with soft tannins and a silky texture. Beautifully balanced.
Wines available from Wein & Vin.
Tuesday, 12 March 2013
Bordeaux 2010 Revisited
The benefit of penning down one's thoughts is the ability to view snapshots of the past. Looking back at my notes written two years back during the Bordeaux 2010 en primeur, I wondered then if prices would rise or fall coming on the back of another stellar vintage. Those who had the stomach to ride the fine wine roller coaster would be heartened by a report in The Business Times indicating a rally as interest returned after a steep decline during the financial crisis. The price of a case of Château Latour 2010 traded for £10,994 on Liv-ex in late February according to the report, still down slightly from the £12,500 at which it traded soon after release in 2011. Latour of course has also made headlines by pulling out of the en primeur market altogether.
The Union des Grand Crus was in Singapore on the 23rd of February to present the 2010 vintage. The organisation was flawlessly handled by Ch'ng Poh Tiong and his team from The Wine Review - no small feat given the number of visitors and chateau representatives present. There was a good cross section of Bordeaux appellations among the 80 participating chateaux, including Graves, Pessac-Léognan, St-Émilion, Pomerol, Margaux, St-Julien, Pauillac, St-Estèphe and the somewhat less prestigious Médoc, Haut-Médoc and Moulis appellations (although these last three do offer excellent value for money). Barsac and Sauternes were present as well, the wines from these appellations being barrel samples still as they had not completed their aging in oak.
Many members of the trade were there; distributors, sommeliers, writers, as well as a fair number of non-trade visitors. For the chateau representatives, black and red seemed to be the colours of the day... were they cashing in on the Chinese New Year spirit? Spittoons and bread were liberally spread throughout the room, efficiently emptied or filled as necessary.
A selection of my personal favourites as follows:
Château Carbonnieux (Pessac-Léognan) - 65% Sauvignon Blanc and remainder Semillon. Citrus, starfruit and guava notes with lovely minerality underpinned by a slightly oaky note. Well structured with high acidity supporting balanced fruit.
Château Climens (Barsac) - A really classic Sauternes. Pure and unctuous yet maintains incredible freshness. Pronounced intensity both on nose and palate with barley sugar, apricots and honey. A superbly long finish.
Château La Tour Figeac (St-Émilion) - Loads of ripe black fruit. Warm and fleshy but wears the alcohol well. Approachable now.
Château Le Bon Pasteur (Pomerol) - Quite unique... lots of expensive oak character. Toasty with clay and mint notes. Not a hint of green here.
Château La Lagune (Haut-Médoc) - Winemaker Caroline Frey continues to work her magic. Elegant and complex, with ripe dark fruit, cedar, underbrush and dark chocolate notes. Hint of blueberry. Oak is well-integrated.
Labels:
Bordeaux 2010,
UGCB
Friday, 22 February 2013
An Interview with Olympia Romba of Monteverro
Olympia Romba has had a hectic schedule since she joined Monteverro as their Sales and Marketing Manager. Her first two years with Monteverro were spent establishing the brand in Europe and the United States. This year, Olympia’s schedule includes seeking distribution partners in Asian countries such as Bangkok, Cambodia, China and Singapore. Over drinks at the Fullerton Bay Hotel, she shared some background on this Italian winery.
How did Monteverro get started?
We are located in the Tuscany region, approximately an hour’s drive north from Rome. The land was bought in 2003 by Georg Weber, whose family’s core business in Germany is garden centres. He searched for years and years for the right place to plant a vineyard, until a friend told him to look in the Maremma area in Tuscany. He contacted Lydia and Claude Bourguignon to do some soil analysis, and asked Michel Rolland to check the place. Everyone said that this would be a gorgeous place to plant vines, because the terroir is very rich in minerals, and proximity to the sea creates fresh, cooling breezes. The first vines were planted in 2004, and the first vintage was in 2008.
Who are the other people behind Monteverro?
Our Technical Director is Michael Voegele, he constructed the cellar, which works on gravity instead of using pumps. Matthieu Taunay is our winemaker, he joined in 2008 for our first vintage. He is assisted by consulting oenologist Michel Rolland, Alpha Omega winemaker Jean Hoefliger, pruning expert Michel Duclos and soil experts Lydia and Claude Bourguignon. I joined in 2010 when the first vintage was bottled. Previously I was working in Bordeaux for fifteen years.
What is the range of wines that Monteverro produces?
We make a limited quantity of Chardonnay from 1 hectare of vineyards located nearest to the sea, around 3000 bottles. We also make a Syrah/Grenache blend called Tinata from 2 hectares of vineyard, and we only produce 8000 bottles. These two are our niche products. The majority of our activity is Bordeaux grape varieties – Cabernet Sauvignon, Cabernet Franc, Merlot and Petit Verdot. Of our second wine, Terra di Monteverro, we are producing 30,000 – 35,000 bottles, and of our Grand Cru, approximately 15,000 bottles.

The goal of Monteverro is to become the “Premier Grand Cru” of Tuscany. What does that mean?
Our wish is to be considered, in five, maybe ten years, equivalent in quality and reputation to the Premier Grand Crus of Bordeaux, like the Chateau Latour of Italy.
And in price as well?
[laughs] For the moment, we are very affordable compared to some Bordeaux wines.
Are you experimenting with any other varieties?
Starting around March or April this year, we will be releasing a Vermentino based white wine. It is a light and easy drinking wine for the local restaurants.
There is an unusually high percentage of Cabernet Franc in the two Bordeaux blends (around 40%). Why is this so?
If you ask me and if you ask our oenologist, which is the most noble grape variety in our area, we would say Cabernet Franc. It grows well for what we want – we want elegant wines, very fine wines with a certain structure and aging potential, but not too blockbuster. If we were to produce a wine from a single variety, we would choose Cabernet Franc.
What would you like people to think about when they are drinking a wine from Monteverro?
A lot of people who have visited our winery have said that we are the locomotive of this area. We are the pioneers to produce a high-quality, Super Tuscan wine in this part of Tuscany [Maremma], which is not as well-known yet as Bolgheri.
Wednesday, 20 February 2013
Cool Wines Seminar
Wein & Vin is holding a Cool Wines seminar on the 9th of March (Saturday) featuring wines from Austria and Germany (with a couple of top-notch Burgundies thrown in as well). The seminar is billed as a learning platform for cool climate wines - definition, climate, geography, terroir, taste profile, and styles. I would go just for the opportunity to taste these wines, but as icing on the cake the tasting will be guided by wine experts Annette Scarfe MW, Andreas Wickhoff MW, Joel Payne, and Singapore's own Tan Ying Hsien.
Details as follows.
Date: 9th March (Sat)
Time: 9.30am to 6pm
Venue: Taberna Wine Academy
17 Binjai Park, S 589825
Price: Whole Day Seminar (including lunch) at $400 (save 20% - early bird package)
Registration after 1st March is $450.
To register e-mail Wein & Vin at info@weinvin.com or call +65 9009 3827.
More info here.
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